This website is dedicated to the past History of Deptford. If you have any stranger than fiction stories about Deptford I would welcome your input. This may include stories of the people, the places still here or long gone, the characters, the war years, ghost stories and haunted places, ancient buildings and bygone memories, long forgotten.
You can contact me with your stories at axelgs1@yahoo.co.uk
King Street now Watergate Street was an ancient Deptford thoroughfare giving main access to the river. In the 17th and 18th centuries many of those inhabitants connected with its maritime industries, lived here in good houses such as this one No.17.(watercolour illustration by J.R. Llwyd Roberts.) It is similar to the surviving houses built in Albury Street by Thomas Lucas who also carried out building works in the adjacent Royal Dockyard from 1707. It was originally a part of a nearly continuous terrace of dwelling houses from the High Street (Deptford High St) to the Thames. In the mid 1920's the street had become a slum, and many of the houses had decaded and been demolished. Regeneration and new housing have now replaced those of the old street.
Watergate Steps leading down to the Thames.
Butchers Row at the river end of Watergate Street as it was named in the 1900's. It has now been renamed as Borthwick Street. The dark black gates at the bottom lefthand side is the location and entrance of the Shipwrights Palace. http://shipwrightspalace.blogspot.com/
As a child growing up in and around London we used to visit my Grans house in Albury Street Deptford every weekend without fail I might add. We would spend the days playing on the cobbled street outside and also go exploring inside No 29. We would look for our Great Grans 'stash' which was said to be hidden somewhere on the property. We would go around tapping the wooden paneling and looking in the upright piano our Great Gran used to play but alas came up empty handed much to the amusement of the grown ups. One part we avoided was the, 'back cellar'. It had , shall we say, a certain 'feel' about it. My Mother avoided the area like the plague! , even in day light! The most unnerving thing was while everybody was upstairs in the front room/parlor watching Frankie Vaughan on the telly drinking R Whites cream soda one would have to go after holding it some time, trot down stairs to the outside dunny to have a pee. Well you could not switch a gas lamp on so the journey had to be done in pitch blackness after comming from the bright lights of the parlor. Passing the cellar area one almost never made it to the Lav!!. We use to hear talk about a tunnel in that area that my Father and his brother found and once explored, but if we were in earshot of the grown ups talking about this tunnel the conversation abruptly ended. It wasn't until much later in life that my Aunt told us about the escapade of theirs. On entering the said tunnel ,which was situated on the east wall I believe, it headed in the direction of Deptford Creek. So far into the tunnel they came across an old flintlock musket and various items of long ago. Heading further in along the ground started to get wet and eventually they hit a water line and could not go any further. I have always wondered what happened to the musket! The tunnel must still be there to this very day.
PS. Great Gran's Stash, was eventually found by my uncle taking a dump in the outside Lav. Whilst finishing up in pitch blackness he found, much to his dismay , no newspaper! On scanning the area for something to, err.. clean up with, he noticed tucked into the rafters a bundle of something . Casting personal hygiene to the wind he retrieved it and found it to be a bundle of old white fiver's!! Gran's Stash!! This probably went the same way as the musket, Hic!
It has been handed down to successive occupants that Lord Nelson stayed at No. 34 Albury Street. Whilst researching this claim I discovered the following information regarding the connection of Lord Nelson and this property: In 1913 the Deptford Fund Hospital for Sick Children was founded by Her Royal Highness, Princess Alice, the Countess of Athlone, (The Duchess of Albany's daughter). Two houses were purchased 34-36 Albury Street, (photo No. 36 Albury Atreet) just behind the Albany Institute. The hospital was to provide treatment for babies of Deptford and Greenwich area who were not eligible for treatment at other hospitals. In 1930 the whole building was flooded during a bad storm and the babies were hastily rescued from the building and taken into the institute. When they returned to the hospital, the top storey of the houses had to remain empty due to a lack of money to repair the storm damaged roof. Because of this in 1932 the Albany institute was forced to sell the houses together with, and I quote, "Nelson Relics". It appears that Nelson may have stayed at the house at times during the last 5 years of his life. To raise as much money as they could the Albany Institute sold the relics namely, the rear door of the property which was reported as being the Hatch Door from HMS Victory and a chain from the front door which it was said came from Nelson's own locker on the same ship. The Deptford Fund contemplated building a new hospital not far from the two houses near the institute but the authorities viewed the area as undesirable and said they would be far more readier to give financial help if the new hospital was built on a higher and healthier site within the borough. In 1933 the Deptford Fund Babies Hospital moved from Albury Street to 25 Breakspears Road Brockley.
THE HOSPITAL WORLD. Princess Alice Countess of Athlone has presented a site to the Deptford Fund for the purpose of extending the Hospital for Sick Babies. The gift is to serve the dual purpose .of commemorating Princess Alice's silver wedding and the foundation of the fund by her mother, the late Duchess of Albany.
Source: My thanks to the Lewisham Local Studies and Archives
In the early part of 1978 a survey was carried out at the request of Nolans Clothes Shop, No 127, by the proprietor Mrs Order. The purpose was to examine alleged tunnels under the shop which ran east to deptford Creek, or a Pub, or the place of Nelson's assignations with Lady Hamilton in Albury Street. A trap door at the front of the shop gives access to a series of cellars under the whole building, some of which were blocked and one which had a barreled roof and could be the begining of a tunnel leading directly under the street.It was described as being about 6ft high, with a stone rubble floor. There was a rectangular manhole leading to sewers beneath which were said to flood. The tunnel terminated in a brick wall at approximately the edge of the outside pavement. The bricks were of mixed stock and red bricks, with no obvious signs of great age, and were probably contempoary with the building which seemed from map and visual evidence to be c. 1844-50, contempoary with the adjacent Catholic church. It was noted there was nothing on site on the 1844 tithe map but earlier maps 1800-33 may show buildings but were to small a scale to be confirmed with any certainty. There was a similar tunnel which had been blocked more recently and was said to lead from the indentical adjacent shop. It was discovered to have been blocked by the owners of the shops across the street. The tunnel at No 127 seemed to be an extention of the cellars, and without pulling the wall down, there was no evidence of it going any further other than the edge of the pavement. If it did originally cross the street it would presumably join the cellars of the opposite shops. Does anyone know of underground tunnels in Deptford?
I came across this old photo Of Chapmans Oil & Colour store located at 34 Deptford High St. This was the location of the murder committed by The Stratton Brothers who lived not far away in Deptford Broadway. The full story of the crime is listed below. This was the first case in history where the murderers were found guilty by fingerprints. The shop front hasn't changed much since.
The most famous English woodcarver of all time was born, oddly enough, not in England at all but in Rotterdam, in what is now Holland, in 1648. Grinling Gibbons did not set foot in the British Isles until sometime around 1670 or 1671.In those days a craftsman needed to be recognized and promoted by patrons to make his work widely known.
Gibbons was fortunate in that he was blessed with extraordinary talent in woodworking, and that his talent was recognized and promoted by a succession of patrons until he eventually came to the notice of Charles II.
Charles gave Gibbons commissions, as did William III and George I. Gibbons was also a favourite of the premier architect of the age, Christopher Wren. Wren called upon Gibbon to supply decorative carving for many of his country house commissions. The genius of Gibbons is not simply that he had a remarkable ability to mold and shape wood, but that he evolved a distinct style that was all his own. Working mostly in limewood, Gibbons' trademark was the cascade of fruit, leaves, flowers, foliage, fish, and birds. Such cascades could be applied to paneling, furniture, walls, or even chimneys. Perhaps to prove that he was not limited in his ability to the cascades, Gibbons produced a cravat made of limewood in a perfect imitation of Venetian needlepoint. The "cravat" was so lifelike that a foreign visitor was fooled into thinking it the standard dress of the English country gentleman! Horace Walpole, who is known to have later worn the cravat on at least one occasion, remarked in 1763, "There is no instance of man before Gibbons who gave to wood the loose and airy lightness of flowers". The cravat is now on display in the Chapel at Chatsworth, Derbyshire. Much of Gibbons work survives in isolated country houses, but Hampton Court Palace near London is blessed with an abundance of fine carvings by the Dutch-born master.
William III commissioned Gibbons to redecorate his State Apartments, and was so impressed by the result that in 1693 he gave Gibbons permission to use the title "Master Carver". Such carvings as the ones at Hampton Court are filled with symbolism which would have been apparent to an educated observer of the day, but which would escape most modern observers. Very often each object in the carving would have a particular meaning or reference to a classical Greek or Roman ideal or story. Some of Gibbons best work outside Hampton Court survives at Petworth House in Sussex, in particular a ceiling he designed for the Duke of Devonshire, and at Lyme Park and Dunham Massey in Cheshire, Belton House in Lincolnshire and Sudbury Hall in Derbyshire. Other fine examples of his work can be seen at Windsor, St Paul's, London. Also in London,, the font at All Hallows by the Tower church has a wooden cover carved by Gibbons in 1682. Grinling Gibbons work had an enormous influence of interior design and decor during the Golden Age of the English country house. Later craftsmen such as Thomas Chippendale are known to have been heavily influenced by his work. Grinling Gibbons died in 1720.
I recently visited the church of St Nicholas in Deptford. The first time I visited was somewhat unnerving as it was late, dark and a feeling of foreboding. This time, in daylight I was warmly greeted by the assistant curate who was very helpful to my request to take photos and learn a little more unknown history of this ancient monument. I was surprised to learn the church was completely destroyed by an incendiary bomb during World War 2 and remained derelict for some years becoming a dump and play area for children until it’s rebuilding in the late 1950’s. Many of its grave stones , plots, plaques and artefacts were destroyed or taken during those years with only fragments of architecture being recovered from the ruin. It also became a target of the V1 rockets one of which landed very close in the Royal Dock area. I believe this may be the one mentioned in The Shipwrights Palace.blog.
Whilst taking pictures and talking to various people I approached a lady, who wishes to remain anonymous, and asked her about church’s history. It was then she told me a story which was quite unexpected. She told me of a witch who was homeless and was granted permission by the church to stay in a room in the tower, the oldest part of the church still standing. She then started to relate a very unnerving ghost story which she experienced and had never disclosed to anybody other than her partner and now me. Whilst carrying out her duties it was her responsibility to secure the church when her work was finished. This invariably took place when she was alone to lock up the church. She recounts that one evening she distinctly heard rapping’s coming from the tower area. This happened several times dispelling thoughts that it could be floorboards, doors creeking or some other rational explanation.. She experienced an intense feeling of being watched. So intense was the feeling she stopped working and fled the building. It affected her so badly over the coming weeks that she did not want to return. When she did return she made sure it was always during daylight hours and since that date she always paces her work so she can leave when everyone else departs.the building. I could see that the experience unnerved her and still to this day stays with her .
Can anyone shed light on the witch in the tower story??
Grinling Gibbons the master carver and his renowned work "The Valley of Dry Bones" God breaths air into the bones of the departed to give them everlasting life.
This photo dates from about 1911 and could be the interior of 29 Albury Street. This gentleman who ever he was looks in deep contemplation. How will I pay my rent this week?...... still ....got plenty of coal.
Source: My thanks to the Lewisham Local Studies and Archives
In September 1950 a Mrs Emily Wilcox rented No. 34 for 23s 9p per week and looked after 6 children in this 7 roomed house. She also encountered terrifying events for a number of years whilst at the property. My mother and Aunt Jeanie knew her well and were told on a number of occasions by her that the place was haunted. Mrs Wilcox use to hear quite distinctly footsteps going up and down the stairs when the place was empty, and once saw a shimmering white light on the first floor landing. Sash windows were constantly being flung open by themselves and more disturbing an apparition of a lady would appear quite unexpectedly. I quote, "she always wore a cloak and a wide brimmed hat" This apparition also appeared in other properties close by. The further you investigate and go back in time researching archives you discover many references to the fact that Lord Nelson stayed briefly at this property and would meet Lady Hamilton there. I believe this story was not invented to elevate the selling price of the property but I know was handed down word to mouth over the years to successive occupants. Could it be that the lady in the cloak and wide brimmed hat may of been this lady in the photograph....Emma Hart...later to become...Lady Hamilton?
Newspaper cutting "Ghost in a Cloak" September 1950
I can only remember this hallway with the woodwork painted in a light green/blue with the panel being wallpapered. To see it in the wood so to speak is amazing. The interiors were made of oak panelling with the bannister and rails expertly hand crafted. I can remember back in the late 1950's an american gentlemen visiting my grandmother and asking if he could purchase the whole staircase!! The door on the right was the entrance to the Front Room and was only used Saturday nights and all day Sunday's. Most of the living was done down the stairs and into the scullery/kitchen. The door on the left was the entrance to my grandmothers bedroom which also led to another bedroom annex to it. Gas mantles were still being used in the 50's. You can still see the mantle on the left upper of the front room door and the gas pipe connecting it.
Source: My thanks to the Lewisham Local Studies and Archives
Then (1935) and now (2010), end house, middle right
It wasn't until we left London in 1960 that my Mother told me of some unnerving events that took place during her courting days with my Father to be. My Mum would stay at our auntJeanies house, No. 34 Albury Street, on the condition, She slept with Jeanie in the attic bedroom. My Mum being from a very large family in Kent at the time thought nothing of it. That is until some strange events took place that truly terrified her! On her first night as she lay there half awake she heard a gentle but very solid "click" as she looked in the direction of the attic door that connected the two terraced houses, she saw it slowly start to open! Terrified she nudged Jeanie who said " I know I see it as well...... it happens frequently" This would happen on a number of occasions to the point that my Mum avoided staying there when ever she could. The unwritten history of the house is that Lord Nelson stayed there on a number of occasions whilst waiting for a ship and also, I presume, for his assignations with Lady Emma Hamilton who it is said, stayed next door. Whether this is who still haunts the place I cant say. I can also vaguely remember something else quite strange about the house and that was a grave stone embedded in the wall in the garden. Even back in the fifties the stone was illegible then. My brother carrying out more research on the house has found it was not just my Mum and Jeanie who have been terrified by the goings but also from subsequent people who have occupied the premises since.
Ghostly Goings On in Albury Street. Report in the Deptford Mercury dated March 1977
Incidentally the secret connecting doorways in the house, were originally found by my father and uncle who, back in the late 1940's, were decorating the bedroom. My uncle said "Jim, can you hear voices". They removed layers of old wallpaper and found a door in the party wall. They opened it and found another door and a walkway which led to the house next door only a few feet in. On pushing it quite hard I might add, they found themselves in next doors bedroom/living room where two ladies, were drinking tea, looked at the pair of them .....totally aghast!!!
Whilst researching Deptford I purchased an old indeture relating to the lease of numbers 26 & 27 Edwards Street, Deptford. It was only on closer examination that the owner of the properties was none other than William John Evelyn of Wotton, Surrey, a direct decendant of the famous diarist John Evelyn! The Lesseewas Henry Wilson, Publican of the Prince of Wales Public House, 31 Blackfriars Road, Southwark. The lease was set to run for a term of 80 years from the 9th July 1864. Wonderful.
William John Evelyn
William John Evelyn from a portrait by Havell (1884)
William John Evelyn (27 July 1822 - 1908), a descendant of the diarist John Evelyn eldest son of George Evelyn and Mary Jane Massy Dawson. He had inherited the large Wotton estate in Surrey, and was often referred to locally as "the Squire"Went to Cheam School from 1835 until 1837 when he went to Rugby, and from there to Balliol College, Oxford where he obtained his Masters degree in 1844. He was elected as a Conservative Member of Parliament for Western Surrey at a by-election in 1849, and re-elected in 1852. He stood down at the next (1857) general election. He later returned to the House of Commons as Member for Deptford in 1885, resigning in 1888 by becoming Steward of the Manor of Northstead after falling out with his party as a result of events in Mitchelstown, Ireland where police shot on protestors and killed three people. Subsequently Lord Salisbury's government accepted the police version of events and refused to condemn their actions; Evelyn was horrified by this and resigned from parliament.[1] The by-election which followed would be contested by his good friend Wilfred Scawen Blunt from an Irish prison. Evelyn thoroughly disapproved of the Boer War, he considered it had been made in the interest of capitalists and that it was unjust and cruel. At the time this could have been thought unpatriotic of him.In 1869, on the closing of the Deptford Dockyard, he purchased back from the Government as much of the site of Sayes Court as was available and by 1876 was turning some of this into a recreation ground for his Deptford tenants In 1886 he dedicated an acre and a half of the Sayes Court recreation ground that he had created, in perpetuity to the public and a permanent provision was made for the Evelyn estate to cover the expense of maintenance and caretaking. In 1884 he sold land then being used as market gardens in Deptford, to the London County Council for less than it's market value, as well as paying £2000 towards the cost of its purchase. This was officially opened to the public as DeptfordPark on 7th June 1897.
John Evelyn (31 October 1620 – 27 February 1706) was an English writer, gardener and diarist. Evelyn's diaries or memoirs are largely contemporaneous with those of the other noted diarist of the time, Samuel Pepys, and cast considerable light on the art, culture and politics of the time (he witnessed the deaths of Charles I and Oliver Cromwell, the last Great Plague of London, and the Great Fire of London in 1666). Over the years, Evelyn’s Diary has been over-shadowed by Pepys's chronicles of 17th-century life.Evelyn and Pepys corresponded frequently and much of this correspondence has been preserved.
Quite early in the year it was discovered that some foreigner who could write fluent English was sending regular communications to one of these ad- dresses in a simple secret ink, and it was evident that he was the sort of person who would find out something which might at any time be of great use to the enemy. The letters were posted at various places in London, and there was no clue at all to the sender's address. Like all spies, he was continually demanding money, and it was hoped for some time that a remittance from Holland would disclose his identity, but in the end the denouement came about in quite another way. A letter was intercepted in the Censorship which disclosed secret writing. It was not in the usual hand, and the incriminatory words said that * C ' had gone to Newcastle, and that the writer was sending the communication ' from 20 1 ' instead. I remember very well the morning when this sentence was shown to me. The postmark was Deptford. ‘201 ' might or might not be the number of a house. We rang up Deptford Police Station and asked for a list of the streets in their area which ran to 201 houses. There was only one Deptford High Street and the occupant of that house had a German name, ' Peter Hahn, Baker and Confectioner No one was more surprised than the stout little baker when a taxi deposited a number of police officers at his door. He proved to be a British subject, and to have been resident in Deptford for some years. While he was being put into the cab a search was made of his premises, and in a back room the police found a complete outfit for secret writing neatly stowed away in a cardboard box. When seated in my armchair Hahn was not at all communicative. He professed to know nothing of * C,' and when further pressed he refused to answer any questions, but patient inquiry among his neighbours produced a witness who remembered that a tall Russian gentleman had been visiting Hahn at frequent intervals. His name was believed to be Muller, and his address a boarding-house in Bloomsbury. This limited the field of search. The register of every boarding-house was scrutinised, and within a few hours the police found the name of Muller; the landlady of the boarding-house confirmed the suggestion that he was a Russian, and said that he had lately gone to New-castle to see some friends. The search was then transferred to Newcastle, and within a few hours Muller was found, arrested, and brought to London. He was a tall, spare, worried-looking person, anxious only to have an opportunity of clearing himself. He had never seen Hahn; had never been in Germany, and could not even speak the language. For some time he adhered to the story that he was a Russian. An inquiry into his past showed that he was one of those cosmopolitan, roving Germans who are hotel-keepers in one place, commercial travellers in another. At some time they have all been motor-car agents and touts. He spoke English with scarcely any trace of a foreign accent. With his glib tongue he had gone through the usual spy routine of making love to impressionable young women, and winning acquaintance by the promise of partnership in profitable speculations. He had some claim for registering himself as a Russian, for he had been born in Libau and spoke Russian as well as Flemish, Dutch, French, German, and English. Hahn, on the other hand, was merely a tool. He had been born in Battersea, and was therefore a British subject. In 1913 he was a bankrupt with assets of 3 to meet liabilities of 1800. His object, no doubt, was purely mercenary. As a British subject he had the right to be tried by civil court, and therefore, as it was not desirable to have two trials, both he and Muller were indicted at the Old Bailey in May 1915. Both were found guilty of espionage. Muller was sentenced to death and Hahn to seven years' penal servitude on the ground that he had been acting under Miiller's influence. Muller appealed unsuccessfully against his sentence. On 22nd June 1915 in Upper Thames Street it was the luncheon hour, and a crowd formed immediately. A foreigner seated between two military policemen and going up the street towards the Tower was not lost on the crowd, which raised a cry of ' German spy! The cab broke down and ‘another taxi was quickly found, and the journey was resumed without further accident. The condemned man was highly strung, and he broke down on the night before his execution. On the following morning he pulled himself together, and insisted on passing gravely down the firing-party and shaking hands with each man. He was executed on June 23, 1915. The Germans did not hear of his death for some time, for letters containing remittances continued to be received.
Extract from the book "Queer People" by BASIL THOMSON
I was researching this building recently . This pub use to be called the Oxford Arms back in the 1840,s and probably long before. The Theatre which stood to the right of the pub (See water colour below) has long been demolished but certain parts can still be matched up with my recent photo. The street which goes around to the left of the pub was known as Slaughter House Lane (SHL) which led into Creek Street now named Creekside. The Theatre stood on the end of Sun Coal Warf. When the aera along to the left and right of SHL and the warf were redeveloped I was told builders contracted to carry out the work found all sorts of treasures including cannons and other ship parts. Observe the windmill in the background. I think this was to do with the area known as Tide Mill.? c1841
A picture painted from Church Street showing the old Tide Mill. You can see on the left the stone building that was attached to the theater. c1840
The Irish National League was established by Charles Stewart Parnell (pictured) in 1882 and became a major movement for Irish home rule, with branches not only across Ireland but in England - including in South London. In Deptford, support for Irish Home Rule pre-dated the formation of the League. On 2 October 1876 a public meeting in Deptford was attached by anti-Home Rulers, recalled in the T.D. Sullivan : 'They invaded a hall where a Home Rule meeting was being-held; they "stormed" the platform, and made a determined endeavour to capture the Home Rule banner which was there displayed. But the flag was bravely defended, and after some fierce fighting, the attacking party were ejected from the building'. In the 1880s, the Irish National League rallied at Sayes Court in Deptford and the Post Office Directory lists a United Irish National League and Club at 35 Albury Street, Deptford in 1911. The Irish National League (INL) was a nationalist political party in Ireland. It was founded in October 1882 by Charles Stewart Parnell as the successor to the Irish National Land League after this was suppressed. Whereas the Land League had agitated for land reform, the National League also campaigned for self-government or Irish Home Rule, further enfranchisement and economic reforms. The League was the main base of support for the Irish Parliamentary Party (IPP), and under Parnell's leadership, it grew quickly to over 1,000 branches throughout the island. In 1884, the League secured the support of the Roman Catholic Church in Ireland. Its secretary was Timothy Harrington who organised the Plan of Campaign in 1886. In December 1890 both the INL and the IPP split on the issues of Parnell's long standing family relationship with Katharine O'Shea , the earlier separated wife of a fellow MP, Capt. O'Shea, and their subsequent divorce proceedings. The majority of the League, which opposed Parnell, broke away to form the "Anti-Parnellite" Irish National Federation (INF) under John Dillon. John Redmond assumed the leadership of the minority "Parnellite" group who remained faithful to Parnell. Despite the split, in the 1892 general election the combined factions still retained the Irish nationalist vote and their 81 seats. Early in 1900 the Irish National League (INL) finally merged with the United Irish League and the National Federation (INF) to form a reunited Irish Parliamentary Party under Redmond's leadership returning 77 seats in the September 1900 general election, together with 5 Independent Nationalists, or Healyites.
The north side of Albury Street, Deptford, by Evacustes A. Phipson, 1922
The artist Evacustes A. Phipson was born at King's Norton near Birmingham on 9th February 1854. He was christened Edward Arthur Phipson but changed his first name to Evacustes (a Greek word meaning 'ready listener').He lost a fortune on a scheme in Australia and returned to England in about 1889 when he made his living by selling his paintings. He lived in various parts of Britain and painted in many places. Shrewsbury Museums Service has 13 pictures that he painted in Shrewsbury and several of these are illustrated on the Darwin Country website. He died in 1931 at Rye in Sussex.
I was quite amazed this mural has not been mentioned in other blogs on Deptford. Its tucked away at the back of the shops on the edge of the public parking bay halfway up Deptford High Street. It is a stunning piece depicting the "Royal George at the launch of another ship of the line "The Cambridge" not shown in this part of the mural. It was painted by John Cleveley the Elder who was famous for his maritime scenes. Can anyone tell me why and who commisioned it to be placed here?
Webpage photo from Lewisham Council
http://www.lewisham.gov.uk/LeisureAndCulture/ArtsService/PublicArt/DeptfordNewCross/FrankhamStMural/
Theres something very spooky going on here when this picture was taken and appeared on the Lewisham Councils website. The mural is in reverse! I took the recent photo above three weeks ago and its the right way around as per the original painting. Somebody must have spotted the fo-par and turned it around the right way!!!
Thanks to the Deptford Dame and The Shipwrights Palace for drawing my attention to it......no pun intended.
Deptford Central Hall was built on slum clearance land in 1903. It was deliberately designed so that it didn't look too church like to attract people into the building who might be put off by a traditional church. When it opened it had a membership of 221, which grew to 1646 by 1908. The mission always had a deep concern for the poverty in the neighbourhood which arose from the intermittent employment opportunities at the local docks. The mission sought to meet the needs of families through soup kitchens, breakfasts for children, distributions of used clothing and even a fund to enable children to go to the seaside From the 1920's the Mission had a concern for disabled and elderly people, reflected in what was then called "The Cripples Guild" and the "Cosy Corner" drop in, and what we now call the DPC The church was bombed in 1940 and the entire west side of the building was destroyed, including the original worship space and the tower. Planning the rebuilding took a long time, but the Mission as it is now opened in 1956, with a renewed energy for its work in the community The Mission celebrated its centenary in 2003.
John Evelyn lived in Deptford at Sayes Court from 1652. Evelyn inherited the house when hemarried the daughter of Sir Richard Browne in 1652. On his return to England at the Restoration, Evelyn had laid out meticulously planned gardens in the French style of hedges and parterres. In its grounds was a cottage at one time rented by master wood carver Grinling Gibbons. After Evelyn had moved to Surrey in 1694, Russian Tsar Peter the Great studied shipbuilding for three months in 1698.He and some of his fellow Russians stayed at Sayes Court, the manor house of Deptford. Evelyn was angered at the antics of the Tsar, who got drunk with his friends and, using a wheelbarrow with Peter in it succeeded in ramming their way through a fine holly hedge. Sayes Court was demolished in 1728-9 and a workhouse built on its site.Part of the estates around Sayes Court were purchased in 1742 for the building of the Admiralty Victualling Yard, renamed in 1858 after a visit by Queen Victoria as the Royal Victoria Yard.This massive facility included warehouses, a bakery, a cattleyard/abattoir and sugar stores, and closed in 1960. All that remains is the name in a public park called Sayes Court Park, accessed from Sayes Court Street off Evelyn Street, not far from Deptford High Street. The building known as Sayes Court that was destroyed during the Second World War was not the old home of John Evelyn, but the St Nicholas's parish workhouse built on its site in the 1720s. After the New Poor Law made it redundant in the 1830s the building had various uses, including that of an almshouse for Evelyn family servants and estate workers.
Original Map layout of Sayes Court.
When the black and white photograph above was taken from Czar Street c. 1910 it was set in an attractive park, but in the emergency of the First World War it was annexed by the army to enlarge its Supply Reserve Depot at the old cattle market. And in colour.....how it looks now........
Evidently Peter and his work mates were not good tenants.
During their stay they caused a great deal of damage at the house and John Evelyn was not unhappy. His estate reported that Peter's partying, which was full of 'right nasty' people, had wrecked the house and garden. Carpets were left filthy with grease and ink, and many paintings were use as targets for shooting. Locks and windows smashed and of the fifty chairs left at the premises none could be found. Probably used to keep the fire going! A keen gardener, Evelyn was shocked by damage to his holly hedges, lovingly cared for over a twenty year period. Apparently Peter and his friends had played a riotous game which involved pushing each other through the hedges in wheelbarrows! The King's Surveyor, Christopher Wren was ordered to report on the damage, and recommended that Evelyn be paid £350 in compensation, a huge sum in the 17th century.
Extract from the book "Queer People" By Colin Beavan
On Monday, March 27, 1905, at 8:30 am, William Jones went to Chapman's Oil and Colour Shop on High Street in Deptford where he worked. When he arrived at the shop he found it closed and shuttered, which he found very unusual. The manager of the paint shop Thomas Farrow, aged 71, lived with his wife, Ann, aged 65, in the flat above the shop and he was not in the habit of having the shop still closed at such a late hour. Unable to open the door, he tried knocking but since he did not get any response from either Mr. and Mrs. Farrow he peeked through a window and saw that there were chairs knocked over. Alarmed at what he saw, he ran for help and found Louis Kidman, a local resident who worked in a nearby store, and the two men forced their way into the shop. It was not long before they found the body of Mr. Farrow on the ground dead, while Mrs. Farrow was found barely alive but unconscious in the couple's bed in the upstairs flat. Both bore the signs of being repeatedly beaten. A doctor and the police were called and Mrs. Farrow was taken to hospital. After each side had given their summations and the jury given their final instructions, it took them a little more than two hours of deliberation to find the Stratton brothers guilty of murder, and they were sentenced to death by hanging. The sentence was carried out by Henry Pierrepoint (Britain's Chief Executioner) on May 23, 1905.
Murder Scene
Henry Pierrepoint. Curiously enough I worked as a bricklayer in Swindon for a contractor named John Ellis who told me he was the great grandson of the same name, John Ellis, who was Henry's prodigy. John took over the duties when Henry was sacked for causing a fracas with prison guards who were handing over details of a condemed man. He attack John Ellis in a drunken stuper as he thought John was moving in on his position. He asked the home office for his job back but was refused. Its a small world.
Wonder if the present owners know of its grim past?
Albury Street looking east towards Creek Road in the 60's? Look how they dug up the cobble stoned street. Albury Street had one of the finest cobbled streets in London. You can also see where the door brackets have been removed on the l/hand side.
King Street now Watergate Street was an ancient Deptford thoroughfare giving main access to the river. In the 17th and 18th centuries many of those inhabitants connected with its maritime industries, lived here in good houses such as this one No.17.(watercolour illustration by J.R. Llwyd Roberts.)
It is similar to the surviving houses built in Albury Street by Thomas Lucas who also carried out building works in the adjacent Royal Dockyard from 1707. It was originally a part of a nearly continuous terrace of dwelling houses from the High Street (Deptford High St) to the Thames. In the mid 1920's the street had become a slum, and many of the houses had decaded and been demolished. Regeneration and new housing have now replaced those of the old street.
Butchers Row at the river end of Watergate Street as it was named in the 1900's. It has now been renamed as Borthwick Street. The dark black gates at the bottom lefthand side is the location and entrance of the Shipwrights Palace. http://shipwrightspalace.blogspot.com/
